The Amazing Dichotomies of A cable tramway Named Desire
Light and dark, kindness and cruelty, naturalism and fantasy, all of them dichotomies used by Tennessee Williams in A Streetcar Named Desire. Tennessee Williams uses many dichotomies, win cut divisions, to illustrate main points. The or so prominent dichotomy is the sweet and fragile Blanche opposed to the cruel and savage Stanley. The play also highlights other dichotomies such as strong and handsome, hidden and open, and purity and filth. Basically, Tennessee Williams uses dichotomies to show main points of alkali, and Tennessee Williams also use dichotomies to show that viewing life in clear cut options with no grey area is a hasten of many problems.
One of the main of the themes shown by Tennessee Williams is the fragile balance of sonant people and his or her shaky mental ground. For example, the dichotomy of shadows and lights in the play illustrates the fine line of sanity and insanity. For instance, the point in the play where Mitch and Blanche are speaking and Mitch abruptly rips off the publisher lantern is a perfect example of Blanches sanity. The light, representing truth in general, is in like manner much for Blanche to handle and she quickly draws back into the shadows.
Blanches example shows how delicate people are incapable of viewing the complete and arbitrary truth about his or herself, and use the shadows, or lies, to verify the fine balance of sanity and insanity. Second, yet another theme supported by a dichotomy is the theme of variation of social classes. Blanche is an aristocratic, arrogant woman while Stanley is a habitual Polish person. The spilt shows that the once rich Blanche is quick to judge and require down on people while Stanley is more presumable to give people a chance before judge him or...
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