'Speak Response to Literature\r'

'â€Å"It is easier not to say anything. Shut your trap, loss your lip; provide it. All that crap you mind on TV nearly communication and expressing feelings is a lie. No clay really wants to hear what you start to say. ” (Speak. Pg. 9, carve up 4. ) Everyone at some point in their lives have felt that terrifying feeling of dejection, sorrow, arouse, frustration and pain. Whether it is an follow up tangle withe by one or an implement done by others, there is always the caution of creation judged, to which people decide it is surpass if they don’t talk their problems with others.Melinda used to be a serene, sweet loving girl that loved to yield to the woods sports and had a good relationship with her parents and fri odditys, but suddenly, as she started her prototypic high school year, she skips days of school, recede her grades and feels completely empty. The tones of fear and relief in Speak, by Laurie Halse Anderson reflect an inner growth presented b y the main(prenominal) character when she everyplacecomes the challenge and devastating condition of being sexually abused.The foreshadowing presented several times in the story reinforces the mystery and the intrigue in the commentator as it discovers and resolves the contradict and causes of it. In the beginning of the book, Melinda expresses what she has â€Å"been dreading”; she is the â€Å" unwanted” and the merely person â€Å"in the entire beetleweed [she is] dying to tell what really happened” (Pg. 3, carve up 3; Pg. 4, Paragraph 2. ) and whom she trusted all her life, Rachelle, Melinda’s best friend until 8th grade, hates her to death.For this reason the ref can infer that something inconveniently awful occurred since there is a very sudden shift in their knowledge that caused not only their total isolation, but also, feelings of anger and resentment. The seed does this to emphasize a sense of interest, entreaty and curiosity as a ho ok to father the reader’s attention from the beginning to fix up the plot in the story. Equally, later on in the book, there is a shocking military issue when Melinda gets trapped with Andy Evans in the janitor’s office; she was about to â€Å"wet [her] pants” as Andy lividly â€Å"cracks his knuckle” and â€Å"stares at [her] without talking. (Pg. 193, Paragraph 3. ) As Melinda gets corned facial expression to face with her biggest fear, the reader feels anxious wondering whether he is liberation to rape her again or is Melinda going to stand up for herself, be fearlessnessous and take revenge from that pervert selfish man. The motive does this to create suspense in the reader as it gets to the final result resolution of the book’s plot; this concern is built up by giving downcast clues that indicate certain actions. For this reason the reader is adequate to get the traumatic feelings of terror and affliction from a likely experience .The symbolism behind the run-down janitor’s office in Speak, conveys the reader of the powerful conflict of man versus self. In a moment of trouble, Melinda discovers the unoccupied and decrepit janitor’s office and she describes it as an â€Å"abandoned [place] †[with] no purpose, no name” and finds is it appropriate for her. (Pg. 25, Paragraph 4. ) The closet represents isolation from the rest of the school as well as it provides her with a place of self-reflection and calm safety.The author does this to emphasize Melinda’s affliction and her insecurity, concealing from people and not expressing her feelings to others. Consequently, the Secret Annex was a place for protection and avoiding any type of aggrieve during the World War II in which Anne plain-spoken and her family lived for a very long time. Furthermore, in the end of the story, Melinda is packing her stuff from the closet when suddenly, â€Å"some body slams into [her] chest and nocks [her] back into” it (Pg. 193, Paragraph 3. ); she trapped with Andy Evans, the puppet that hurt her once and came to do it once more.As they were fighting, Melinda breaks the reverberate hanging form the wall and â€Å"wrap [her] fingers approximately a triangle of glass”; she holds it into Andy Evans neck â€Å" tall(prenominal) enough to raise one drop of origination”. Immediately, â€Å"his lips are paralyzed” and â€Å" cannot speak”. Melinda added, â€Å"I verbalize no” (Pg. 195, Paragraph 2. ). The closet reflects the place of self-transformation as she becomes courageous and gains control of the situation to fight for herself. The author does this to demonstrate the rewarding satisfaction of fighting over the problems and the huge change that gnarly courage and maturity.Melinda is able to defeat her biggest fear by growing up, having self-reliance in herself just like an invincible hero. The first person point of view give s the reader a personal-hand experience of the struggle the protagonist experience as she overcomes her condition. After confronting the truth about what happened that night in a TV show, she feels extremely sick, devastated and confesses, â€Å"My head is cleaning me, my throat is put to deathing me, my stomach bubbles with toxic waste. (…) A coma would be nice. …) Anything just to get dislodge of this, these thoughts, whispers in my mind. Did he rape my head too? ” (Pg. 165, Paragraph 2. ) When the character starts reflecting about what happened, she feels fearful and uncertain. The author does this to help the reader understand a personal experience by getting inside her head, which is the only place where Melinda expresses without restrictions or concerns of being judged by her parents, friends and nightclub. In the last pages of the story, Melinda makes a self-reflection in which she says, â€Å"IT happened.There is no avoiding it, no forgetting. No run ning away, or flying, or burying, or hiding. (…) It wasn’t my fault. He hurt me. It wasn’t my fault. And I’m not going to let it kill me. I can grow. ” (Pg. 198, Paragraph 1. ) As Melinda cogitates on the events that occurred that night, she has a drastic transformation from her mature beliefs compared to her callow, precarious ones. The author uses this point of view to emphasize the aflame and personal growth of the protagonist by suitable courageous and confronting her fear.This perspective is intended so the reader can feel empathy and understanding as it becomes advised of the main character’s personal opinions. Melinda’s challenge reinforces life’s most challenging task, growing up. Being in such a traumatic age of 14 to 16, it is very unsaid to deal with these types of situations that are ordinary in our society but are often excluded from conversations; however Melinda’s actions should endure as being a au na turel(p) model to other people that have experient the same abuse.Society should protect and look after everyone involved in any abuse, instead, of being so narrow and judgmental. Furthermore, in order for these abuses to stop, people should gain courage to defend themselves by denouncing their acts; the society around them should not let these misdoings be forgotten with neglect. Bibliography Halse Anderson, Laurie. Speak. New York: Penguin Group, 2009. Print.\r\n'